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slothrust

And The Kids / Weakened Friends

DATE

FRIDAY, JUNE 21, 2019 

7:30PM Doors / 8:00PM Show

RAIN OR SHINE
 

TICKETS

$20 ADV / $25 Day of Show
General Admission - Standing

All Ages
 

LOCATION

Industry City Courtyard 1-2
(Food Hall Entrance)

238 36th Street, 

Brooklyn, NY 11232

slothrust

Slothrust is principal songwriter, singer, guitar player, and unrepentant aesthete Leah Wellbaum, with drummer Will Gorin and bassist Kyle Bann. On their fourth full-length album The Pact, Slothrust constructs a luscious, ethereal cosmos perforated with wormy portals and magic wardrobes, demonstrating more clearly than ever the band’s deft shaping of contrasting sonic elements to forge a muscular sound that’s uniquely their own. The album was recorded in Los Angeles with producer and mixer Billy Bush (Garbage, Neon Trees, The Boxer Rebellion). Cultivating their potent brew of classically informed, soulful rock in the fertile Brooklyn indie scene, Slothrust released their debut LP, Feels your pain, in 2012, followed by 2014’of Course You Do. The band expanded their fervent following via the song “7:30 am,” selected as the theme for the FX Network show "You’re The Worst”. Their 2016 Dangerbird debut album Everyone Else established the band as a breed apart, capable of serving up deceptively clever epics that veer satisfyingly between incandescent riffing and pop hooks, winsome anxiety and powerful heft. Throughout 2016 and 2017, Slothrust lit up audiences on sold-out headline tours, festival dates and support tours with Highly Suspect in the US and Manchester Orchestra in Europe. The band closed out 2017 with Show Me How You Want It To Be, an EP of unexpected and inventive covers of songs by artists as diverse as Al Green and Britney Spears, Black Sabbath and Louis Armstrong.

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And The Kids

Hannah Mohan (guitar, vocals) - Rebecca Lasaponaro (drums) Megan Miller (synthesizers, percussion)

 

Since their earliest days as a band, And The Kids have embodied the wayward freedom that inspired their name. “When Rebecca and I were teenagers we just lived on the streets and played music, and people in town would always call us kids—not as in children, but as in punks,” says Mohan. On their third full-length When This Life Is Over, the Northampton, Massachusetts-based four-piece embrace that untamable spirit more fully than ever before, dreaming up their most sublimely defiant album yet.

 

The origins of And The Kids trace back to when Mohan and Lasaponaro first met in seventh grade. After playing in a series of bands throughout junior high and high school (sometimes with Averill on bass), the duo crossed paths with Miller in 2012 when the three interned at the Institute for the Musical Arts in the nearby town of Goshen. Once they’d brought Miller into the fold, And The Kids made their debut with 2015’s Turn to Each Other and soon headed out on their first tour. “At one of the shows on that tour, a burlesque act opened for us at a place in Arkansas,” Mohan recalls. “And then another time on tour, we crashed at a friend of a friend’s house, and there was a pot-bellied pig sleeping on the couch. That’s what nice about staying at people’s houses on the road: you never know what you’re gonna see.”

 

In creating the cover art for When This Life Is Over, And The Kids chose to include a picture of their mascot: a black chihuahua named Little Dog, an ideal symbol for the scrappy ingenuity at the heart of the band. “Some of the most memorable moments we’ve been through with the band are like, ‘Hey, remember that tour when Megan had just gotten deported and we didn’t have any money, and we had to drive all these hours to play for like two people?’” says Mohan. “That was a real bonding experience for us. And even when it’s hard, there’s always something good that comes out of it. There’s always a meaning for everything.”

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Weakened Friends

Common Blah is the debut full-length by Portland, Maine’s Weakened Friends. Founded by songwriter Sonia Sturino, bassist Annie Hoffman, and drummer Cam Jones in 2015, the trio is a low pressure outlet for emotionally volatile music. Engineered and produced by Hoffman and perfected over the last year, the record broadcasts heavy feelings amid screech and feedback with little more than a fuzz pedal to clog up the signal chain.

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Industry City  courtyard 1-2

238 36th St. Brooklyn, NY 11232
(Food Hall Entrance)

Subway  D   N   R  to 36th Street, Brooklyn